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York Barbell Weightlifting Museum & Hall of Fame
The Weightlifting Museum contains a diverse history of the strength sports, their evolution from mythology to early Olympic Games and from the 19th and 20th century amateur and professional strongmen to the current specialized sport of Olympic weightlifting, powerlifting and bodybuilding. The Museum encompasses approximately 8,000 square feet of the space and is housed in the first floor of the York Barbell administrative building, adjacent to York's manufacturing facility, 2 miles north of York at exit 24 Interstate 83.
The Museum is a self guided tour taking a counter clockwise movement through historical accounts.
A 7.5ft bronze statue of Bob Hoffman, "Father of World Weightlifting" and founder of York Barbell, stands outside of the entrance to the museum and Hall of Fame.
The introduction to the strength begins in the massive two-story lobby, fronted with a circular window. Life-size bronze busts of Steve Stanko and Bob Hoffman stand beside displays of nineteenth century and early twentieth century spherical-end shaped dumbbells and barbells.
Visitors will also see York's "ticket to the world" - our 185kg Elite certified set, the only set manufactured in the United States and approved by the IWF for use at all international and national weightlifting events. Behind this set, you can see a mural depicting champion weightlifters, seated on the right is Tommy Kono, arguably the greatest American weightlifter.
To the right of the lobby is a large auditorium featuring an Olympic weightlifting platform where competitions are held and seating for 200 people. Films may also be viewed in the auditorium, which is equipped with a projection room and a large screen on the wall behind the platform.
Strongmanism
The strongmanism exhibit in the museum displays a variety of plaques, trophies, sculptures and vintage barbells from the strength era of the late 19th and early 20th centuries. Highlighting this exhibit is a statue of Louis Cyr, a 19th century professional strongman, and his actual 220-pound stage dumbbell. At its heaviest, packed with metal pellets, it weighted 273 pounds. Cyr handled it easily one-handed, using the overhead "side press" style.
The feats of George Ronald, George "The Russian Lion" Hackenschmidt, Hermann Gorner, Milo Steinborn, the Saxon and Osman trios, Bernard Macfadden, Charles Atlas, and Joseph Greenstein, the traveling Mighty Atom" who finished his act biting through nails", are detailed beside the accomplishments of strongmen Sigmund Klein and George Jowett, whose respective famous gymnasium and physical culture books spread the word.
The centerpiece of the central, skylighted gallery of the Hall of Fame is the 7-foot Travis dumbbell weighing more than 1600 pounds, named for the man who made it famous, Warren Lincoln Travis. Travis weighed only 180 pounds at his zenith between 1906-1909, but his strongman exploits included lifting various weights up to more than 3,000 pounds in the harness, and back lifts of people and objects. The National Police Gazette recognized Travis in 1907 as the "strongest man in the world", and his elaborate metal belt proclaiming this pronouncement is displayed in the museum.
The self-guided tour continues with the evolution of strongmanism into today's current format of Olympic weightlifting, powerlifting, and bodybuilding. The Olympic weightlifting exhibit traces the entire Olympic and World Championship weightlifting history from Amsterdam in 1928 to Atlanta in 1996. Additional panels feature American and International weightlifting world champions, and the total women's weightlifting history, in existence since 1981.
The fitness-strength sport of weightlifting was a part of gymnastics in the modern revival of the Olympic in 1896, with dumbbell and barbell lifts, and again in 1904. The sport was discontinued until 1920 when three barbell lifts were contested. A five-lift format was used in 1924, while 1928 marked the classic introduction of the press, snatch, and clean-and-jerk. This format lasted through the 1972 games in Munich, after which the 2-lift format of the snatch and clean-and-jerk became standard.
The brute-strength offshoot of strongmanism-powerlifting came into existence officially with the first nationals in 1964 in York, PA, and gained additional prestige with the first world championship in 1971, also held in York. Powerlifting, involving the squat, bench press, and deadlift, took less time than Olympic lifting to recognize female interest in the sport, with the first official women's contest in 1978. the photo panels displayed top American and international powerlifters, as well as first official record lifts. Amazingly, some powerlifting careers span more than fifteen years of championships.
One of the historical pioneers of physical presentation is featured in the bodybuilding section of the Museum. A full-size body cast (reportedly one of the only two originals in existence) of Eugen Sandow, generally considered the recognized link between the traditional bulky strongman and today's well-defined muscular bodybuilder, is prominently displayed. The extremely popular Sandow was so much an ever-present fixture on the European and American entertainment scenes that he captured the imagination of European monarchs, including England's George V, who required Sandow's exercise regimen as part of British army training. Later, Sandow was a regular performer in the Ziegfield Follies.
A life-size marble sculpture of John Grimek stands near Eugen Sandow. Grimek, a long time employee of York Barbell, was an Olympic weightlifter on the 1936 Olympic team, the only two-time Mr. America (1940 and 1941), the 1948 Mr. Universe, and the only competitor to retire undefeated in bodybuilding competition. John Grimek was generally recognized as the "Best Built Human" of the first half of the 20th century.
The Museum is a self guided tour taking a counter clockwise movement through historical accounts.
A 7.5ft bronze statue of Bob Hoffman, "Father of World Weightlifting" and founder of York Barbell, stands outside of the entrance to the museum and Hall of Fame.
The introduction to the strength begins in the massive two-story lobby, fronted with a circular window. Life-size bronze busts of Steve Stanko and Bob Hoffman stand beside displays of nineteenth century and early twentieth century spherical-end shaped dumbbells and barbells.
Visitors will also see York's "ticket to the world" - our 185kg Elite certified set, the only set manufactured in the United States and approved by the IWF for use at all international and national weightlifting events. Behind this set, you can see a mural depicting champion weightlifters, seated on the right is Tommy Kono, arguably the greatest American weightlifter.
To the right of the lobby is a large auditorium featuring an Olympic weightlifting platform where competitions are held and seating for 200 people. Films may also be viewed in the auditorium, which is equipped with a projection room and a large screen on the wall behind the platform.
Strongmanism
The strongmanism exhibit in the museum displays a variety of plaques, trophies, sculptures and vintage barbells from the strength era of the late 19th and early 20th centuries. Highlighting this exhibit is a statue of Louis Cyr, a 19th century professional strongman, and his actual 220-pound stage dumbbell. At its heaviest, packed with metal pellets, it weighted 273 pounds. Cyr handled it easily one-handed, using the overhead "side press" style.
The feats of George Ronald, George "The Russian Lion" Hackenschmidt, Hermann Gorner, Milo Steinborn, the Saxon and Osman trios, Bernard Macfadden, Charles Atlas, and Joseph Greenstein, the traveling Mighty Atom" who finished his act biting through nails", are detailed beside the accomplishments of strongmen Sigmund Klein and George Jowett, whose respective famous gymnasium and physical culture books spread the word.
The centerpiece of the central, skylighted gallery of the Hall of Fame is the 7-foot Travis dumbbell weighing more than 1600 pounds, named for the man who made it famous, Warren Lincoln Travis. Travis weighed only 180 pounds at his zenith between 1906-1909, but his strongman exploits included lifting various weights up to more than 3,000 pounds in the harness, and back lifts of people and objects. The National Police Gazette recognized Travis in 1907 as the "strongest man in the world", and his elaborate metal belt proclaiming this pronouncement is displayed in the museum.
The self-guided tour continues with the evolution of strongmanism into today's current format of Olympic weightlifting, powerlifting, and bodybuilding. The Olympic weightlifting exhibit traces the entire Olympic and World Championship weightlifting history from Amsterdam in 1928 to Atlanta in 1996. Additional panels feature American and International weightlifting world champions, and the total women's weightlifting history, in existence since 1981.
The fitness-strength sport of weightlifting was a part of gymnastics in the modern revival of the Olympic in 1896, with dumbbell and barbell lifts, and again in 1904. The sport was discontinued until 1920 when three barbell lifts were contested. A five-lift format was used in 1924, while 1928 marked the classic introduction of the press, snatch, and clean-and-jerk. This format lasted through the 1972 games in Munich, after which the 2-lift format of the snatch and clean-and-jerk became standard.
The brute-strength offshoot of strongmanism-powerlifting came into existence officially with the first nationals in 1964 in York, PA, and gained additional prestige with the first world championship in 1971, also held in York. Powerlifting, involving the squat, bench press, and deadlift, took less time than Olympic lifting to recognize female interest in the sport, with the first official women's contest in 1978. the photo panels displayed top American and international powerlifters, as well as first official record lifts. Amazingly, some powerlifting careers span more than fifteen years of championships.
One of the historical pioneers of physical presentation is featured in the bodybuilding section of the Museum. A full-size body cast (reportedly one of the only two originals in existence) of Eugen Sandow, generally considered the recognized link between the traditional bulky strongman and today's well-defined muscular bodybuilder, is prominently displayed. The extremely popular Sandow was so much an ever-present fixture on the European and American entertainment scenes that he captured the imagination of European monarchs, including England's George V, who required Sandow's exercise regimen as part of British army training. Later, Sandow was a regular performer in the Ziegfield Follies.
A life-size marble sculpture of John Grimek stands near Eugen Sandow. Grimek, a long time employee of York Barbell, was an Olympic weightlifter on the 1936 Olympic team, the only two-time Mr. America (1940 and 1941), the 1948 Mr. Universe, and the only competitor to retire undefeated in bodybuilding competition. John Grimek was generally recognized as the "Best Built Human" of the first half of the 20th century.